Gatefold / Inside Spread
The interior gatefold exposes the recording ethos, track recording sheets, and hardware manifests recorded directly to 2-inch tape at Nightshift Studios.
The Nightshift Manifesto
"Funk was not meant to be clean. It lives inside the leakage between microphones,
the unmuted room reverberations, and the heavy thumb thumps on flatwound strings.
FUNK AFTER DEATH was cut entirely live to two-inch 16-track tape at Nightshift
Studios over three midnight sessions in Chicago. No MIDI clocks were utilized.
No notes were tuned in post-production. If a note cracked, it stayed on the master.
When you drop this needle, play it at high volume."
— Derrick Vance, 1978 / 2026
Plate 2: Inside Gatefold Spread — Tape Reel Sheets • Nightshift Archives
Personnel & Hardware Rig
| Role | Performer | Gear / Instrument |
|---|---|---|
| Keys & Arranger | Derrick Vance | Fender Rhodes 73, Hohner Clavinet D6, Wurlitzer 200A |
| Bass Guitar | Marcus "Octave" Gray | 1964 Fender Precision Bass, Flatwounds, Ampeg B-15 |
| Drums & Percussion | T-Bone Washington | 1968 Ludwig Super Classic Kit, Zildjian K Cymbals |
| Tenor & Alto Sax | Elena Rostov | Selmer Mark VI, Neumann U47 Valve Mic |
| Recording Engineer | Karl Miller | API 1604 Custom Console, Studer A800 2" Tape Deck |